The Woman Behind the Symbol
(eVideo)
Description
In February 1942, two months after the bombing of Pearl Harbor, the U.S. government issued Executive Order 9066 authorizing the relocation of 110,000 people of Japanese ancestry living on the West Coast in order to incarcerate them in isolated and desolate concentration camps. The government's justification was to protect the country against espionage and sabotage by Japanese Americans. Exclusion Order No. 1, authorizing the first relocation, targeted the Japanese Americans living on Bainbridge Island, Washington. One of them was 31-year-old Fumiko Hayashida, a pregnant mother of two. She was one of 227 members of her community who, dressed in their best clothes, assembled at the Eagledale ferry landing on March 30th, 1942. As they waited to be taken off the Island by armed military escorts, Fumiko, holding her 13 month old daughter Natalie Kayo, was photographed by a Seattle Post-Intelligencer photographer. The photograph has since become a lasting iconic symbol of the internment experience. Fumiko Hayashida: The Woman Behind the Symbol is both a historical portrait of Fumiko, her family and the Bainbridge Island Japanese American community in the decades before World War II as well as a contemporary story which follows 97-year old Fumi and her daughter Natalie as they return to the site of the former Minidoka internment camp, their first trip back together in 63 years. The film reveals how the iconic photograph became the impetus for Fumiko to publicly lobby against the injustices of the past.
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Citations
Ostrander, L., & Sellers, D. (2015). The Woman Behind the Symbol. [San Francisco, California, USA], Kanopy Streaming.
Chicago / Turabian - Author Date Citation (style guide)Ostrander, Lucy and Don, Sellers. 2015. The Woman Behind the Symbol. [San Francisco, California, USA], Kanopy Streaming.
Chicago / Turabian - Humanities Citation (style guide)Ostrander, Lucy and Don, Sellers, The Woman Behind the Symbol. [San Francisco, California, USA], Kanopy Streaming, 2015.
MLA Citation (style guide)Ostrander, Lucy, and Don Sellers. The Woman Behind the Symbol. [San Francisco, California, USA], Kanopy Streaming, 2015.
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Record Information
Last File Modification Time | Jan 10, 2024 10:33:40 AM |
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Last Grouped Work Modification Time | Jan 10, 2024 10:33:30 AM |
MARC Record
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028 | 5 | 2 | |a 1126160 |b Kanopy |
035 | |a (OCoLC)1090769423 | ||
040 | |a VDU |b eng |c VDU | ||
245 | 0 | 4 | |a The Woman Behind the Symbol |
264 | 1 | |a [San Francisco, California, USA] : |b Kanopy Streaming, |c 2015. | |
300 | |a 1 online resource (streaming video file) | ||
306 | |a Duration: 15 minutes | ||
336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
337 | |a computer |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
500 | |a Title from title frames. | ||
500 | |a In Process Record. | ||
518 | |a Originally produced by Stourwater Pictures in 2009. | ||
520 | |a In February 1942, two months after the bombing of Pearl Harbor, the U.S. government issued Executive Order 9066 authorizing the relocation of 110,000 people of Japanese ancestry living on the West Coast in order to incarcerate them in isolated and desolate concentration camps. The government's justification was to protect the country against espionage and sabotage by Japanese Americans. Exclusion Order No. 1, authorizing the first relocation, targeted the Japanese Americans living on Bainbridge Island, Washington. One of them was 31-year-old Fumiko Hayashida, a pregnant mother of two. She was one of 227 members of her community who, dressed in their best clothes, assembled at the Eagledale ferry landing on March 30th, 1942. As they waited to be taken off the Island by armed military escorts, Fumiko, holding her 13 month old daughter Natalie Kayo, was photographed by a Seattle Post-Intelligencer photographer. The photograph has since become a lasting iconic symbol of the internment experience. Fumiko Hayashida: The Woman Behind the Symbol is both a historical portrait of Fumiko, her family and the Bainbridge Island Japanese American community in the decades before World War II as well as a contemporary story which follows 97-year old Fumi and her daughter Natalie as they return to the site of the former Minidoka internment camp, their first trip back together in 63 years. The film reveals how the iconic photograph became the impetus for Fumiko to publicly lobby against the injustices of the past. | ||
538 | |a Mode of access: World Wide Web. | ||
653 | |a Asian and Middle Eastern Studies | ||
653 | |a Gender Studies | ||
653 | |a North American Studies | ||
653 | |a Race and Class Studies | ||
700 | 1 | |a Ostrander, Lucy, |e filmmaker | |
700 | 1 | |a Sellers, Don, |e filmmaker | |
710 | 2 | |a Kanopy (Firm) | |
856 | 4 | 0 | |u https://steamboat.kanopy.com/node/126161 |z A Kanopy streaming video |
856 | 4 | 2 | |z Cover Image |u https://www.kanopy.com/node/126161/external-image |